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Lithograph number 51 from the “Musée des Horreurs” (Museum of Horrors) series, entitled “Le Polichinelle Breton” (The Breton Punchinello). The series consisted of 51 anti-segregationist, nationalist, and anti-Masonic propaganda ...
The text in the image is a British recruitment appeal from the First World War, featuring John Bull, the national personification of Great Britain, pointing directly at the viewer.
Iconic British recruitment poster from World War I, featuring the Secretary of State for War, Lord Kitchener, pointing directly at the viewer. The image, urged men to enlist in ...
Famous propaganda poster from World War I appealing to patriotism to finance the war effort. Victory bonds (or war bonds) were debt securities issued by the government to finance ...
Cover of the May 1943 issue of Fortune magazine, with the illustration titled “China’s Last Lifeline”.
Recruitment poster for the “College For Women Suffrage Party”. The illustration features a baby, a common motif on Leyendecker’s New Year’s covers for The Saturday Evening Post, incorporating historical ...
The Irish propaganda poster from World War I shows John Redmond, leader of the Irish Parliamentary Party, appealing for conscription. Redmond appealed to the Irish to support the Allies ...
The illustration, titled “Can’t Be Beat” is a political cartoon by Grant E. Hamilton that uses the bicycle craze of the time as a metaphor for American politics and ...
Cover of the February 20, 1897 edition of the American political satire magazine, Judge. The cartoon, by Grant Hamilton, is titled “Civilization Demands Arbitration and Peace”.
The cartoon reflects the imperialist ambitions of the United States after its swift victory in the Spanish-American War and the acquisition of new territories. The “Colonial Question” is depicted ...
Cover of the American political satire magazine Judge, entitled “Turn-About Is Fair Play”. The illustration, depicts a shift in the international trade balance and US economic policy at the ...
Cover of a political cartoon from the American magazine Judge, published on June 25, 1898. The image is a satirical commentary on the Spanish-American War, which was taking place ...
Cover of the March 27, 1897 issue of Judge magazine, titled “Inconsistency,” by illustrator Bernhard Gillam. The satirical political caricature criticizes hypocritical British foreign policy, personified by John Bull, ...
The image is the cover of the December 7, 1901, issue of the American satirical weekly magazine Judge. The magazine, published from 1881 to 1947, was known for its ...
The illustration is a political satire that addresses the theme of the International Arbitration Treaty between the United States (represented by Uncle Sam) and Great Britain (represented by John ...
The cover of the November 25, 1905 issue of Judge magazine (Vol. 49, No. 1258), titled “Something to be Thankful For,” features an illustration of Uncle Sam and President ...
The satirical illustration, drawn by Charles Sarka, shows a pensive woman sitting under a Gothic arch. Above her, a diabolical figure in red robes approaches on a flying scroll, ...
The image is a political cartoon from the 1884 issue of Judge magazine, titled “The Political Crisis”. The cartoon depicts a dangerous situation for the elephant, which represents the ...
The image is a political allegory celebrating the defeat of the “free silver” movement in the United States.
The illustration, titled “To The Point” is a political cartoon by Grant Hamilton that criticizes “trusts” (large corporate monopolies).
As Seen From the Boxes. 1 photomechanical print: offset, color.
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