Expressionist oil painting “Heilandsgesicht: Auferstehung oder Das Neue Sehen II” (Face of the Savior: Resurrection or The New Seeing II).

The work is part of a series of paintings of “mystical heads” or “savior faces” that the artist began creating around 1917, after the First World War. Jawlensky sought mysticism and spirituality through these representations of abstract faces.

Many of the paintings in this series, despite the title “Face of the Savior,” were inspired by the features of Emmy “Galka” Scheyer, an admirer and international representative of the artist.

Contributor: Alexej von Jawlensky (1864–1941)

Date: 1918

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Characteristics of wood :

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